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I love noticing things, it makes me zing. I feel flat and empty when I haven’t ‘noticed’ something for a while. Noticing is gloriously childlike, the mindset to be open to discovery, fresh things and fortification. However, it is not exciting to be vigilant, and noticing too much can become stifling. Being vigilant is a heavy task, when noticing should be light and happy.

Noticing for me, is predominantly visual, I forget it exists within all the senses. Mine is to do with investing objects with mysticism, and I also anthropomorphise things way too much for my age.

I do my best objective noticing when I charity shop. Several actions are taking place; scanning, assessment of worth and weight (monetary and historically) and gut instinct. Adeptly looking, I scan for colours, materials, shapes and manufacturers. These one-off, found archetypes are very rewarding. By letting your observing eye free, it ventures forth and brings you these rewards of little bits of truth.

 

 

 

 

 

I sometimes feel bogged down by noticing things too much. The eyelets on my on shoes are about 4mm out of line. I have a long bit of hair just behind my left ear. This vigilance becomes a burden, and being a bit ignorant would indeed feel a bit blissful. I secretly note these details, consoling myself that I have noticed.

 

 

 

 

I like creating outfits that appear as drawings of colour schemes and shapes. I almost don’t care if other people notice this ‘wholeness’, my personal gratification is more than enough. But a danger lurks: if I wore my favourite outfits everyday, how long would they stay my favourites?

Recently I have started to worry about the outcomes of noticing. What is the worth in a great holiday if I haven’t got any photos? Am I wasting time if I have a day out at the beach and get a cream tea and there’s no ‘documentation’, or is the experience enough? Can noticing be processed into a meaningful outcome? Should it have to? I don’t know the answer, but I do know I like cream teas in the sunshine. Perhaps even writing this paragraph was enough to validate my trip to the beach. We can’t relay our every experience; I don’t remember every word when I read a novel, I don’t copy things exactly as they exist in real life when I’m drawing. You have to work out how much to notice, or how much to edit from your noticing. Most importantly, keep your outlook wide and your eyes open, and discover what truly makes you zing.

Zoe Langdell

   

 

Milk Two Sugars