Ghosts of Gone Birds

King Island Emu

Exhibition: Ghosts of Gone Birds – Last few days – Closes 23rd Nov. – Rochelle School, Arnold Circus, Shoreditch, London E2 7ES
Website: Ghostsofgonebirds.com

Creature finally made it down to the much praised Ghosts of Gone Birds exhibition on Thursday. Here is some of our favourite bits including the King Island Emu by Harriet Mead (Above), a room full of extinct bird paintings by Gonzo artist Ralph Steadman (below) and a bird body outline filled with graphic images and shotgun cartridges, (bottom – sorry but we did not get the artists name).

We highly recommend checking this show out. It’s is now the last few days and closes on 23rd Nov so get your skates on.

Ralph Steadman

Ralph Steadman

Ralph Steadman

Ralph Steadman

http://www.creaturemag.com/ghosts-of-gone-birds/

Ghostsofgonebirds.com

REVIEW: ‘Drawing Daily’ Anthology Volume 2

Daily Drawing Anthology 2

Artist: Steven Kraan
Project: Daily Drawing Anthology 2
Website: facebook.com/drawingdaily

Steven Kraan releases the ‘Drawing Daily Anthology Volume 2’ a collection of 23 short comic strips featuring characters as diverse as a disgruntled Jesus Christ, chirpy human blood cells, thieving cave-men and (my personal favourites) the inept astronauts.

The Anthology presents a small selection of the comics Steven draws and puts on-line for the world to see, every day (as well as some brand new ones exclusive to this book). It can be ordered from here – stevenkraan.bigcartel.com at the very reasonable price of €7.50.

Steven Kraan started  ‘Drawing Daily’ in 12th April 2010  and since then his fan base has grown and grown so that Kraan has quickly become a cult hero of internet art and narrative illustration.   I first encountered the world of Steven Kraan when I was embarking on my own ‘Drawing A Day’ on-line project. My project only lasted for one year, but Steven just keeps on going and going. Hopefully, as long as there are pens, pencils and the internet there will be Drawing Daily.

Jesus Drops his Car Keys

Anyway, back to Anthology  2, this incredibly digestible digest will  hook you with it’s colourful artwork and Steven’s unique drawing style but what really impresses is the charm and genuine belly laugh inducing humour Kraan incorporates into each strip. Having just one day and one page to express each story commands real storytelling skills It is very hard to imagine having great comedy timing within a still image but Steven manages to achieve this brilliantly.

The other great thing about having this very handy, pocket sized  printed version in my hands is seeing how brilliantly the artwork and colours translate to the printed form.  It makes you realise the potential the vast amount of characters that populate the strange World of Kraan have away from pixels and computer screens.

Publishers, get this man a book deal now.

You can follow Stevens epic project here: facebook.com/drawingdaily and on twitter: @drawing_daily

Reviewed by David Litchfield

By catching at the twigs that form between bliss and me

By Catching at the wigs that form

Artist: Michael Powell
Project: Illustrated story and installation
Website: imaginarymichaelpowell.tumblr.com

It is with great pleasure that we introduce the latest short story from long-time Creature friend and supporter Michael Powell, complete with illustrations he created whilst in Buenos Aires and North Wales.

Click on the thumbnails to view… then use the left and right arrows.

Mike has also made his story a reality by creating “The thing that looks like a tree but is not a tree” in real life… see more images on his blog or at this link:  www.thecloudgallery.com – This is one of the best things Creature has ever seen!

The Tree that is not a tree

The Tree that is not a tree

Find Michael Powell here:
imaginarymichaelpowell.tumblr.com
www.thecloudgallery.com

Artist Spotlight #60 – Tim Smith

Artist: Tim Smith
Website: mypoorbrain.com

Hi Tim how are you? Can you tell us a little more about yourself?
Hi. My name is Tim, I was born and bred in a small town in North Wales, after which I studied Graphic Design at the University of Gloucestershire. After completing my degree, I took a year out to work on some self promotion including my (old) website. However, I soon became side-tracked with internships in London as well as some design competitions and freelance work. I now live and work in London. I have an interest in film and music, frequently attending gigs and cinemas. I enjoy the great outdoors and would love to be able to work from the country one day

Great, I think self promotion is key to being a successful illustrator, how did you go about it? What worked? And did anything backfire horrifically?
Yeah, I think so too. I took some time creating a website that was a little unusual, I wanted it to stand out from the crowd and be remembered. Some people were really excited by it, while others found it very hard to use, and couldn’t find the work on there, so I guess it both worked and backfired. I’ve learnt from that mistake, so my new site is very easy to use, though I couldn’t resist having some sort of quirk to it. I backed up the website with some teaser postcards which I had printed professionally and sent to over 300 creatives, industry professionals and media, followed up with emails. I think the recipients really appreciated this “three-pronged attack”, they saw it as a professional and well thought out approach that also allowed them to view my work instantly. Better than cold calling at least.

I was also fortunate enough to win a couple of awards which drew a lot of people to my site and led to acquiring Orange as a client.

What advice would you give to the new wave of art & design grads who are looking for work, and maybe feeling a bit lost?
Well one very important thing is to make sure you have some sort of presence online, be it your own website or a sample of your work on a portfolio site. Sounds obvious but it’s amazing how many creatives still don’t do this and with so many online portfolio sites and website building sites these days there’s no excuse.

Keep your eye on the industry and try to get featured on the many design blogs, putting your name out there can help acquire clients, and if you do a good job first time they’re likely to keep coming back to you.

If they’re looking for full time employment it’s worth researching what sort of company they want to work for if they haven’t already. Design agencies can vary greatly. Try and get hold of the creative director or the person responsible for hiring and see if they can do an internship. Sometimes these can turn into full time positions.

For those who don’t know, what is involved, or what is expected of you whilst doing a internship? and what would you say is the best way of funding yourself in a city like London whilst spending most of your time working for free?
Internships can differ greatly from company to company, I know this because my experiences are different to everyone else’s I know has done work experience in the industry. Strangely I noticed that coffee and tea making isn’t all that prevalent these days. Expect everything from the mundane like cutting out over 100 animal photos to the exciting like coming up with concepts for the likes of PlayStation. Even though you’re on an internship and you’re being paid pittence, if you want to impress you should behave like you’re a fully fledged member of staff, so work late nights if it helps the team. For this reason I wouldn’t recommend doing any part time work to fund your internship. Sleep on mates floors, be economical with your spending, that said most companies these days will cover your costs which include travel and lunch.

I did find my internships useful, just to get to know the process of working in the industry and getting to know London if nothing else. The real lessons are learnt in the first few years in the industry, in fact I’m still learning today.

Speaking of lessons, you want to set the creature fans some homework? (tell them to do something creative, its great fun!)
Think of a message you frequently find out and about that is usually very dull, anything that communicates a message in a really uninteresting way, such as spam or a “No ball games allowed” sign for example, and turn it into something exciting. I set myself this brief once before.

Well, You heard the man, get working! Send us what you’ve done here.

Find more from Tim :

mypoorbrain.com

twitter.com/mypoorbrain

The Flamingo Arts Project

Project: The Flamingo Arts Project
Website: www.flamingomagazine.com/the-flamingo-arts-project

Flamingo, one of Creature’s absolute favourite magazines for illustration, arts and music, is launching it’s first group illustration show at Betty’s Coffee, Kingsland Road, on Friday 26th August. Nine super-talented illustrators, all past contributors to the magazine, have been chosen for their shamelessly bold, graphic style.

The Flamingo Arts Project is a brand new venture, aiming to showcase work by the best emerging artists, and to promote illustration within the wider arts community through an eclectic programme of workshops, exhibitions and discussions. Friday’s show is set to be the first of many, so watch this space!

With commissions from the likes of YCN, inkygoodness and House of Holland under their belts, this is the first time this dynamic group of illustrators will be exhibiting their own self-initiated work to the public. So who are they? Maggie LiHattie StewartHayley WarnhamJoey DeanDonya ToddJo CheungJen BaileyShaun Lynch, and last but certainly not least, Emma Brown.

Everyone’s invited to the Private View on Thursday 25th August from 6pm for a beer, a chat with the artists, and of course a preview of the original artwork on show. Don’t be shy, apparently they’re all very nice! If you want to pop along, RSVP to rsvp@flamingomagazine.com.

You’ll find Betty’s Coffee, Dalston’s newest independent coffee house and gallery space, at 510b Kingsland Road, London. The exhibition runs from 26th August until 17th September 2011.

Find out more: www.flamingomagazine.com/the-flamingo-arts-project

David Litchfield Drawing a Day Exhibition

On 30th June 2011 David Litchfield’s epic drawing a  day project came to a climactic end. His final image of a tattooed strongman included the names of all the fans that gave support via his facebook page throughout this year long project. On Friday 12th August and for the first time, the entire collection of 356 Illustrations was displayed in David’s home town of Bedford. This was not to be missed.

I arrived at the gallery in Castle Lane Bedford to be greeted by everyone’s new favourite artist. His face was beaming, the atmosphere was buzzing, jovial and warm and the walls were hung from top to toe in images, each individually framed and lovingly labelled with a title, number and date.

“It starts over there and continues over there.” Said David, pointing simultaneously at two corners of the room as he was pulled back into the heaps of praise.

David Litchfield Exhibition

There is a lot to take in here. On one hand you have the spectacle of the entire collection, 365 drawings by the pen of one man. On the other hand you have each individual piece to consider, taking into account the mood of the artist on a particular day, the medium, colour, detail, texture, right down to the piece of paper it was drawn on. Dotted among the sketchbook pieces were more opportunistic works scribbled on Guardian pages, writing paper and stickers.

David Litchfield Exhibition

It’s a universal show, appealing, endearing, friendly, a little bit dark, there is something for everyone and this will no doubt propel the project beyond the borders of Bedford. It is a clear success and David is admired.

How does David feel to be stood in a  room full of people stood in a room full of his drawings?

“It was great. I was a bit shocked that there are so many people here. They all had so many questions and everyone was really interested in the project and why I started it… I think- apart from my wedding- it was the best night of my life. Even tho I was left a bit overwhelmed by it all.”

If we take a minute to consider this… Let’s say that on average David spent 1 hour a day on this project, that’s 365 hours, approximately 15 days and nights, solid drawing. It really puts into perspective the dedication and passion that is required to complete a consistently impressive drawing a day for an entire year.

David Litchfield Exhibition

David may be the first person to embark on and complete a drawing project on this scale , he is definitely the first person to do it in such style, attracting such interest and developing such an involved audience. This is not just an artistic triumph it’s also a fine example of  innovative artistic practice, the power of self publishing and the use of social media to connect with an audience and effectively launch a career in illustration.

So what’s next for David Litchfield and his 365 drawings?

“This was never meant to happen, it was only ever meant to be a sketchbook project… there are people here tonight that want to turn this into a daily calendar… The show is to be taken to Sheffield and there is interest from a gallery in London….”

Just goes to show that if you have got something good it will grow on its own. David’s got talent and he has created a monster here, it’s a project with legs and life, a fine example of one mans dedication to his artistic and self development.

Find David here:
tinkerd.tumblr.com
@le_david_tinker

You can be a featured artist too, click here to find out more.

Endangered Creature Alphabet

Endangered Creature Alphabet

The endangered Creature Alphabet now has it’s own home over at: www.endangeredalphabet.com

It makes us very happy to announce the release of our latest collaborative project – the Endangered Creature Alphabet – An illustrated collection of 26 threatened species, drawn by 26 talented artists.

You can view our new e-book here by clicking the full screen option in the window below. Thanks to everyone involved, your work is amazing. Look inside to check it out!

Help us spread the word. If you are an artist or publication and would like to run a feature on this book then we have put together this handy press information pack - click here to visit the press pack page. For further info please send an email to creature@creaturemag.com and we will be in touch right away.

One for the weekend- Elli Chortara

Elli Chortara

Artists: Elli Chortara
Title: Strange Wise Owl –  Should Have Been Wiser.
Website: www.ellichortara.com

Thanks to Elli Chortara for creating this lovely illustration especially for Creature. Expect to see more contributions from Elli coming soon. Have a great weekend.

Flamingo Magazine – Interview with Siobhan Leddy

Flamingo Magazine

Creature has made a new friend…. Siobhan Leddy is Editor of new arts, music and culture publication Flamingo Magazine.  She kindly took the time to answer our questions. Cover above illustrated by Emily Sams and designed by Isabel Wharton.

Who’s behind Flamingo?
I’m Siobhan, and I’m the editor and founder of Flamingo. Working alongside me are the talented Izzy and Grashina, who do art direction and features editing respectively and Flamingo is very much a collective effort. As well as the three of us, we have a great group of writers, illustrators and photographers who contribute regularly.

Siobhan Leddy

Image above: Siobhan Leddy by Laura Callaghan

When did you start the mag?
It started last year, around April, in a completely different incarnation. Originally we had some half-baked cabinet of curiosities idea, which is why we have the seemingly random name. The idea was to have pages of strange Victorian ephemera, with the monocled flamingo looking over it all. That isn’t even close to Flamingo now, and he’s much less snooty. Although he does still wear a top hat.

Either way, Flamingos are quite good regardless of context. I have a plastic one blue-tacked to my wall.

What’s it about and what’s the ethos behind it?
The phrase is a bit overused, but I’ve always been interested in the idea of doing-it-yourself. I mean, not in the home improvement sense, obviously, but in the sense of not needing buckets of cash and connections to start a creative project that people like. Because of this, Flamingo has evolved into a creative guide as much as a magazine, and we interview people from the creative industries to find out how they’ve set up their record label or drawn their latest illustration.

Illustration is a massive part of Flamingo too. We regularly interview some amazing illustrators about their doodling process, as well as provide a platform for them to showcase their work. The thing I love about illustration is that there’s no pretense to it – it can be silly or serious, or both.

Flamingo Magazine

Who is it for?
Flamingo is for anyone who wants to create something from nothing.

You are releasing your first printed edition soon, please tell us more.
Yeah, it’s all pretty exciting. Issue 1 is available from the start of March from www.flamingomagazine.com. I’ve always imagined Flamingo as a print magazine, and it’s finally hitting newsagents and art bookshops in March. It’s looking amazing as well, so I can’t wait to see it on the shelves. The launch party should be pretty good too – any excuse for a piss-up.

How did you get on in the interview with Yeasayer?
People are pretty nice. If you start talking to them, they’ll generally talk back. Although saying that, my chat with Yeasayer was over the phone, which makes everything infinitely more stressful. My phone has a habit of cutting out, so I should’ve just popped over to New York really.

Where do you want to take Flamingo?
I’ve got loads of plans, including an illustration exhibition and a pipe-dream plan to open a bar – although the dream is to make it a part of a nice collective thing, where everyone’s doing something different. How awesome would it be to just hang out with your friends all day making stuff?

Thanks Siobhan for these insights into setting up and running a new creative magazine. If you would like your work published in Flamingo then check out www.flamingomagazine.com and get in touch with them.

Buy Flamingo Magazine

You can buy issue one from the start of March for £4.95 from www.flamingomagazine.com. Other stockists that are yet to be confirmed. You can follow Flamingo Magazine on twitter: @flamingomag

Mexican Illustrators

Our new feature aims to bring you illustrative delights from far flung corners of the globe starting with Mexico.

We will be embarking on a journey around the world stopping off in various locations to explore the visual treasures and talent of the artists working proactively to promote their illustrative work within each location.

We were recently made aware of a thriving illustration scene in Mexico thanks to the Mexican Illustrators blog ilustradorasmexicanas.blogspot.com.

Mexican Illustrators

About the Mexican Illustrators blog
Mexican illustrators is a place where the creativity and talent of Mexican women can be expressed. A non -profit group whose goal is to bring together women working professionally in the illustration field in order to disseminate their work and achieve more exposure, allowing the world to discover the richness of colour, techniques and worlds that each artist has to contribute.

Silvana Avila on Mexican Illustration
I think Mexican illustration is defined by the colour mixture, textures and a very strong or contrasted lines as well. In our cultural traditions the use of vibrant colors is a constant and i think that’s why a lot of illustrators reflect that mixture of colour and texture in their works. Because we grow and live surrounded by these colors. Concerning the contrasted lines, I think this is because Mexico is a country of contrasts cultural, economical, ethnic…

Silvana has kindly suggested a couple of her favourite Mexican Illustrators for Creature to publish, one girl and one boy.

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Ixchel Estrada

www.ixchelestrada.com

Ixchel Estrada

Ixchel was born in Mexico in 1977. She studied graphic design and illustration and has been working as an illustrator ever since. She has worked for many publishers and has had many children’s books published in Mexico and other countries. She also creates handmade toys.

Ixchel Estrada

You simply must visit her website, it’s an animated collage which highlights her quirky handmade toys and collage based illustration work brilliantly. The use of bold forms and colour give her wok great impact, this along with the narrative elements in many of her images displays the influence of Mexico’s rich and vibrant culture upon her work.

divider

Duncan tonatiuh

www.duncantonatiuh.com

Duncan Tonatiuh

Duncan was born in Mexico City and grew up in San Miguel de Allende. He’s currently working on two new picture books and regularly uploads new illustrations, inspirations and current events to his blog duncantonatiuh.wordpress.com

Duncan Tonatiuh

His work is influenced by Mixtec writing originating from the indigenous people of Mexico. The Mixtec used imagery and the relationships between pictorial elements to denote the meaning of the text. Duncan adopts the flat presentation with lack of perspective and earthy colours used in these Codices and merges with more modern day cultural influences to give his unique style. We look forward to seeing how this style develops.

Thank you to Silvia for helping put this article together. As well as highlighting artists from every corner of the globe we hope this feature provides some enlightenment into  influences of art from eras past on modern day illustration.

Useful links relating to Mexican Illustration:
ilustradorasmexicanas.blogspot.com
Mexican Illustrators facebook page
A flickr group for mexican illustrators
Wiki – Mexican art origins – The Mixtec
http://ilustrandoenmexico.blogspot.com

We are stopping in Mexico for a while to enjoy the cultural delights. We wait for the wind to take us to our next, as yet unconfirmed, destination. If you have any suggestions as to where Creature should stop next or are aware of a thriving illustration scene in some far flung corner of the earth then please get in touch: creature@creaturemag.com

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